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Galileo ( film) | Revolvy

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Following Bruno's conviction, he was burned at the stake in There are several allusions to this event in Brecht's play. John McEnery played Federzoni. In the film, while Barberini is protective of Galileo when he is a Cardinal, after he becomes Pope he sanctions Galileo's trial by the Roman Inquisition. Clive Revill played the Ballad Singer. Revill had worked with Losey previously on Modesty Blaise Job Stewart played a Monk-Scholar. For the stage production, Hanns Eisler composed music for a series of songs that were sung by a trio of boys at the beginning of each of the fourteen different scenes of the play.

In addition, the ninth scene is a musical entertainment occurring on April Fool's Day, Historically, was one year before Galileo was convicted of heresy by the Roman Inquisition. The Ballad Singer and his wife sing about Galileo's effect on civil order to a rowdy crowd. Eisler composed the music for the ballad, which included orchestration for seventeen instruments.

A recording of Eisler himself singing this ballad has been released, together with many other recordings related to the collaboration of Laughton, Brecht, and Eisler. During production of the film, it was discovered that the scores for most of the instruments in Eisler's orchestration of the ballad were lost.

Losey had Richard Hartley finish the orchestration anew. The orchestra is apparently uncredited. Filming and post-production Joseph Losey had been the director for the theatrical productions. He was selected by Brecht himself, and he gained an intimate knowledge of Brecht's intentions for the play. Referring to the first production in Los Angeles, John Houseman said later, "Joe was to be the director of this, which really meant He seems to have been one of the rare theater and film people in America who recognized Brecht's genius at once and at least partially understood him.

He wrote at the time, "It is such a great play, so clean and clear and architectural People had learned from Galilei: They used his teaching in their way.

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At times, the film's characters speak directly at the camera to address the audience. Losey's long-time collaborator Reginald Beck was the film's editor. Critic Tom Milne remarked that the "smooth theatrical continuity tends to blunt the raw edges of Brecht's distancing effects". Roger Ebert wrote in"Brecht's Galileo bears only a sporadic resemblance to the facts of the great man's life.

What Brecht was after, and what the new American Film Theater version of his play does a pretty good job of delivering, was a drama of ideas, not biography. Jay Cocksreviewing the film for Time inwrote: Most of the actors around him, however, are superb: Galileo, as played by Topol, learns to make a telescope using two lenses.

The first release of the film to home media didn't occur untilwhen Kino International produced region 1 DVDs of all fourteen films from American Film Theatre. The DVD box art lists different actors than were highlighted in the original theatrical release poster.

See the article by Cristina Olivotto and Antonella Testa for a comparison of the and films. The real joy lies in seeing Brecht's timeless debate about scientific morality rendered with such pellucid swiftness. The Man and His Work. Kaufmann, Walter Arnold Most critics agree that 'This is one of Brecht's best plays, perhaps his greatest'. Ebert, Roger 1 January Losey, Joseph; Milne, Tom Brecht gave me the exclusive rights to do Galileo in English for many years—and I couldn't get anybody to do it